Bridget Conn
United States
Biography
Bridget Conn is a photographic artist known for her chemigrams, exploring photography’s potential as a chemical and physical medium. Her work addresses themes like societal struggles, communication challenges, and the contrast between digitized and physical experiences. Conn holds a BFA from Tulane University and an MFA from the University of Georgia. She has exhibited internationally at venues such as the Center for Fine Art Photography, The Halide Project, and the Chiang Mai Photography Festival. Conn has been featured in magazines like Analog Forever and Lenscratch and was a finalist in Klompching Gallery’s FRESH 2022 exhibition. A passionate educator, she has taught workshops at Penland School of Crafts and the Experimental Photo Festival. Conn plans to open her own darkroom workshop in southern Indiana.

Project
A week before the election, I saw Eddie Izzard, who urged: “Be curious. Be brave.” Curiosity comes naturally to me; bravery has been harder lately. Since Nov. 6, I’ve avoided the news, a choice that feels like burying my head in the sand.
In late September, I watched Hurricane Helene devastate Western North Carolina, my first true sense of home. Most of 2024 was spent paralyzed by financial uncertainty, unable to embrace the move from Georgia to Indiana. The end of 2023 was mired in relocation, my creativity stalled while living out of boxes. Now, just as I’m resurfacing, I’m not ready to relive the desperation of his first term. I know it’s a privilege to take this pause, a deep breath before the fight ahead.
Writer Rob Brezsny’s questions—how to balance joy with resistance, beauty with struggle—affirm my belief that preserving wonder is essential. I’m rethinking the line between escapism and self-preservation, stepping away from the 24-hour news cycle, and drawing strength from my environment.
This summer, I created “New Land Studies,” lumen prints of wild plants, sewn photo papers whose chemistry shapes the images. The work reflects my shift toward presence, less screen time, more physical engagement.
In the years ahead, we’ll all need to find sources of strength. I’m grateful for this land as I seek ways to help others—and to invite them to be curious, and maybe, brave.
Statement
Through the approach of experimental analog photography, my work concerns societal struggles, awe and wonder, challenges in communication, digitized vs. physical encounters, and the importance of making and admitting mistakes. My aesthetics span gesture, intuitive mark-making, written language, and non-traditional portraiture, forged by cameraless photographic processes. Formally I work in image-based prints, collages, sculptural wall pieces, and three-dimensional installation. Celebrating the object that is silver gelatin paper, I construct many of my works with thread to emphasize its physical significance. I employ this materiality to spotlight the negative side-effects of my society’s increasingly-digitized experience of the world. Embracing their unpredictability and playfulness, I view cameraless processes as my method of combatting personal battles with anxiety, and of addressing my country’s wider epidemic of unease.