top of page
_DSC6214_editada__myascorpia (59).png
LOGO ESPAI GOLFES.png

Official IPFA gallery on the second floor of the Centre Cívic Pati Llimona in Barcelona, Spain. Dedicated to photography, it fosters international exchange of exhibitions, sustainability, and cooperation among festivals, facilitating the circulation of works and the visibility of artists.

Current Exhibition

 January 22 to March 14

VIVA AMAZÔNIA!

Contemporary Brazilian Photography

WhatsApp Image 2025-02-10 at 17.09.45(1).jpeg
Paula Sampaio - Fotografia da ação  queima da bandeira , Tucuruí, 2013.png

Viva Amazônia! invites viewers to encounter the Amazon as a living, complex body rather than a distant image. Through contemporary Brazilian photography, the exhibition reveals a plural territory where nature, culture, spirituality, and conflict are inseparably intertwined.
The exhibition brings together works by Alberto Cesar Araujo, Anna Kahn, Bruno Kelly, Denilson Baniwa, Fatinha Silva, Gabriela Biló, Genilson Guajajara, João Farkas, Kamikia Kisedje, Luciana Magno, Moara Tupinambá, Paula Sampaio, Renato Soares, Ricardo Martins, and Walda Marques, whose diverse perspectives move between documentation and fabulation, denouncing violence while affirming resistance and ancestral knowledge.

Produced by the São Paulo Photography Festival and the Paranapiacaba Photography Festival in partnership with IPFA, Viva Amazônia! positions photography as a tool for awareness and ethical responsibility in the context of the climate emergency.

© Paula Sampaio 

Next Exhibition

March 19th

Lines of Connection

Photographers of the IPFA Award 2025

IPFA ISO black.png
Foto Portada Golfes Colectiva - Guilhem Touya - Chromatic Dystopia.jpg

© Guilhem Touya

Selected through the international open call organized by the International Photography Festivals Association, this exhibition brings together projects from diverse geographic, cultural, and conceptual contexts. The award acts as a global platform connecting photographers with festival directors, curators, and audiences, fostering visibility, exchange, and professional opportunities. The selected works reflect the diversity of contemporary photography, spanning documentary, experimental, analogue, urban, conceptual, and hybrid practices. Each project represents an individual voice, and together they form a collective snapshot of today’s photographic landscape, shaped by personal experiences, social concerns, and formal experimentation. Through the international selection process, projects are reviewed by a network of festival curators, leading to solo exhibitions across member festivals as well as this collective touring show, which begins in Barcelona and continues across partner festivals worldwide. The exhibition is made possible through the collaboration of 20 international festival directors and curators together with the International Photography Festivals Association, reflecting a shared commitment to democratizing and internationalising access to photography and creating opportunities for artists within a global festival platform.

The exhibition features works by Adam Urban, Alena Grom, Alessandro Silverj, Alex Bex, Ana Sabiá, Areca Roe, Armando Tinnirello, Atsushi Momoi, Camilla Di Bella Vecchi, Christine August, Claudia Lareu, Diana Cheren Nygren, Dina Goldstein, Dries Theuwissen, Edward Thompson, Elisa Iannacone, Elena Paraskeva, Ema Lančaričová, Guilhem Touya, Henri Blommers, Isaac Ulam, Ivan Ryaskov, Iván Ibáñez, Jean-Louis N’cho, Josefine Rauch, Kirill Muniabin, Lọlá Ákínmádé Åkerström, Lucy Ridges, Maria de la Paz Gutierrez, Maria Maza, Matilde Gattoni, Monia Marchionni, Nicola Muirhead, Paco Guillem, Pavlo Fyshar, Pierre-Yves Cruaud, Rashed Haq, Rodrigo Abd, Seunggu Kim, Steven Benson, Sveta Kaverina, Synchrotania, Tahné Kleijn, Tamas Dragon, Thibault Belouis, Tommi Viitala, Valentina Sinis, Vlada, Wolfgang Zurborn, and Zexuan Zeng.

Discover
Espai Golfes

The name Golfes refers to the space beneath the roof of a building, often filled with memories and hidden treasures. It perfectly symbolizes our intention: a place to bring life, visibility, and renewed circulation to high-value artistic proposals. This space was created with the aim of encouraging the exchange of exhibitions between photography festivals, both local and international, and to foster the global circulation of exhibitions. This initiative seeks to internationalize the careers of photographers, broaden their reach to new audiences, and generate a community network among festivals, creating a space of mutual support that promotes the development of the sector. In addition, we are strongly committed to ecological and economic sustainability in the production and circulation of exhibitions, promoting the responsible use of materials and the conscious mobility of artworks. Golfes aims to become a model that integrates creativity, inclusive cooperation, and environmental responsibility within the world of photography.

Floor Plan

We provide the floor plan to help visualize the layout and potential of the space. This plan offers a comprehensive guide to the organization of the venue: the areas designated for photographic exhibitions and the zones intended for public circulation, allowing the space to be adapted to various curatorial proposals. Making the plan available aims not only to optimize the setup of future exhibitions, but also to inspire artists, curators, and festivals to imagine new ways of inhabiting and transforming the space, creating unique experiences of encounter between photography and its audience. Golfes is conceived as a flexible, dynamic space open to collective creativity.

Les Golfes

Past exhibitions

December 11, 2025 to January 19 , 2026.

FRESH MEAT

Young Hungarian Photographers

FreshMeat_AnntaForgach_Mine Yours Ours_2.jpg

© Anna Forgach

Copia de 150x150logo.png

The exhibition is based on the annual open call of the Budapest Photo Festival, aimed at Hungarian photographers under the age of 35. There are no restrictions regarding photographic genre; the exhibition focuses on series and portfolios that address issues relevant to today’s young generation of photographers, regardless of themes or approaches. The curators valued originality and unconventional perspectives, both in subject matter and in concept. The seven selected artists have the opportunity to take part in a group exhibition that stands as one of the highlights of the Budapest Photo Festival program.

Curated by Szilvia Mucsy and Rita Somosi, the exhibition features works by Borbála Bethlendi, Bence Fazakas, Anna Forgách, Anita Horváth, Rita Kovalovszki, Martin Somogyi, and Laura Wilhelm.

This exhibition at Golfes Gallery is made possible through the collaboration between the International Photography Festivals Association (IPFA) and the Budapest Photo Festival (Hungary).

November 6 to December 6, 2025.

Imilla

Luisa Dorr - Imilla
Biennale della Fotografia Femminile

The Bolivian polleras, bulky skirts commonly associated with the indigenous women from the highlands, were for decades a symbol of uniqueness and an object of discrimination. Now, a new generation of women skateboarders in Cochabamba wears them as an emblem of resistance. While the garment was initially imposed by Spanish colonisers on the native population, over the centuries, it integrated into the local identity as an ambivalent symbol of authenticity and stigmatisation. 

Re-discovering polleras in the wardrobes of aunts and grandmothers seemed the obvious choice for Dani Dani Santiváñez, a young Bolivian skater who, wanting to reconnect with her roots in 2019, created ‘ImillaSkate’. Imilla means ‘young girl’ in Aymara and Quechua—the two most widely spoken languages in Bolivia, where more than half the population has indigenous roots. The nine women currently part of the group only wear polleras to skate. Knee-length and paired with trainers, these skirts symbolise the choice not to deprive themselves of their culture. Through this practice, they convey their message of inclusion and acceptance of diversity.

This free exhibition at the Golfes gallery is made possible thanks to a collaboration between the International Photography Festival Association (IPFA) and the Biennale della Fotografia Femminile di Mantova (Italy).

Transylvania: Built on Grass

For centuries, the small villages in Transylvania have preserved their hay meadows, raised cattle and operated self-sustainable farms. The agrarian fairytale that is extinct in Western Europe still exists here in bucolic scenes, where young boys learn to cut and rake hay by hand, where all village women are proficient in weaving, and all men can build a house from scratch - with thousands of hard-split wooden shingles on the rooftop. In this old world, defined by traditional belief systems and respect for the environment, one does not trample a meadow of high grass before mowing it, the cows and horses find their way home along the muddy village tracks and the rivers’ water is busy with the milling, washing and alcohol making.

This free exhibition at the Golfes gallery is made possible thanks to a collaboration between the International Photography Festival Association (IPFA) and the Biennale della Fotografia Femminile di Mantova (Italy).

Rena Effendi - Transylvania - The whole Borca family.jpg

September 18 to October 25, 2025

Perspectives that Transcend:
Visual Resonances from Albania

Participants of the International Fokus Award Albania

Fokus Award Albania_edited.png
Fokus - Alice Campo - Resilienza

© Alice Campo

This exhibition brings together a carefully curated selection of award-winning photographs from recent editions of the FOKUS International Photography Award, held annually in Albania. This collective exhibition, presented in Barcelona for the first time, is part of a joint initiative led by the International Photography Festival Association (IPFA), aimed at highlighting and promoting the work of the most significant photography festivals worldwide.

Since its founding in 2006 by passion and love for photography and the search for its true values, FOKUS has grown into an essential platform for artistic photography, not only in the Balkans but also in the global context. With a strong focus on the values of photographic art and the influence of various international schools, the festival fosters qualitative growth, competitive spirit, and creative dialogue around the image. Over the years, FOKUS has showcased the work of photographers from all over the world, whose images span a wide range of themes: from the intimacy of everyday life to pressing contemporary social and cultural issues.  This exhibition not only celebrates the talent of the awarded artists, but also invites the public to reflect on the power of photography as a universal language.

With this exhibition, we inaugurate the Golfes room as a new space created by IPFA, where photography festivals from around the world can bring their best exhibitions to Barcelona free of charge.

Artists: Agnesa Çavolli (North Macedonia), Alberto Cicchini (Italy), Alice Campo (Italy), Ali Sabih Kadhim (Iraq), Daniela Vuksani (Albania), Dea Shubleka (Albania), Diana Pankova (Belarus), Eliza Hoxha (Kosovo), Elisabetta Gatti Biggì (Italy), Enrica Ridolfi (Italy), Farida Helaly (Egypt), Griselda Kula (Albania), Letizia Di Candia (Italy), Luigi Corbetta (Italy), Maja Stosic (Serbia), Majid Hojati (Iran), Maria Cristina Bottoni (Italy), Mario Vitolo (Italy), Mohamed El Kashef (Egypt), Mohamed Sabry (Egypt), Nake Batev (North Macedonia), Noemi Morelli (Italy), Ognjen Karabegović (Croatia), Olga Karlovac (Croatia), Olga Orlova (Ukraine), Patrizia Mori (Italy), Pranab Basak (India), Robbie Mcintosh (Italy), Rozafa Shpuza (Albania), Sertaç Kayar (Turkey), Si Thu Ye Myint (Myanmar), Stepan Kucheriavyy (Ukraine), Thit Sar (Myanmar), Uran Krasniqi (Kosovo) and Valjeta Zuka Sylejmani (Kosovo).

May 15 to July 27, 2025

Génesis: Fotografía de un Futuro Alternativo

A science fiction photography exhibition born from the creative encounter between two image artisans within the Foto Experimental community. Together, Sibux and Jordi Bofill Cunillera imagine a dystopian future, where society survives on the margins of high technology and with limited resources. In this scenario, photographic communities play a key role, bringing together photographers, chemists, scientists, artists, and environmental defenders. They rescue ancient photographic processes, using sunlight to print on plant surfaces, creating photosensitive objects from natural products, and reconditioning mechanical cameras. The exhibition presents four photographic techniques that capture the essence of light and its relationship with our environment: Cyanotypes, Anthotypes, and Chlorotypes created by Sibux, and Instant Solargraphy captured with a lens by JB Cunillera. 

An exhibition that invites reflection on the future of images, creative resilience, and the connection between art, science, and nature.

bottom of page