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Research

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Reports on the global photography festival sector

Every year we survey festivals worldwide to build the data that makes the sector develop. Each report is based on direct contributions from festivals across the network and covers everything from funding structures and workforce conditions to long-term sustainability and future scenarios. All research is free and open to everyone.

Festivals of the Future

A Long-Term Research Observatory

With these annual studies, IPFA positions itself as an active research observatory committed to the present and future of photography festivals. Each investigation aims to generate useful, open, and actionable knowledge that allows festivals not only to adapt to changes, but also to lead them with responsibility and vision. From economic structures to future scenarios, this research programme seeks to build a stronger, more connected, professionalised, and resilient global community. ​Ultimately, the goal is to ensure that photography festivals continue to be key spaces for artistic creation, circulation of images, and the construction of collective meaning in a constantly changing world.

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Current State
of Photography Festivals
Worldwide

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Global Economy 
of Photography 
Festivals

The Current State of the 
Photography Festivals

1,000 +

active Festivals worldwide

8,000–12,000

people Working in
the Sector

18,000

activities Organised per Year

32,000

artists and Curators Engaged annually

10 
million

participants reached

Sector
Scale

1,056

active Festivals worldwide

554

inactive Festivals Documented

Reach

8.9 million

in-person visitis per year

15 + 
million

total participants per year

6.6

million

people in online communities

31,000

activities per year

Econo
mics

€79 million

total direct budget per year

15
million

total participants per year

€163 
million 
est.

economic impact from sector

69 to 98 million

local impact annually from sector

Financial
Health

47%

of festivals
have high dependence
on a singular funding source

61%

of festivals have no financial reserves

43%

operating with economic difficulties in the past year

45%

mostly volunteer-based employment model

Spending

Staff and artist fees are the areas where budgets are most insufficient at

43% and 42%

Production is the

largest cort at 31%

of average budget

Growth
Expectations

36.1%

expect their buget to increase

79.1%

of those say new private sponsors are the main expected source

Research Horizon 2027-2033

Following two global reports, IPFA commits to continuing its research in a systematic and collective manner. The data gathered has not only helped identify trends, strengths, and opportunities within the current ecosystem, but has also revealed new questions that require more specific and action-oriented studies. This seven-year agenda prioritises the topics that can provide immediate tools to strengthen the survival, sustainability, and growth of photography festivals worldwide.

2027

Training and 
Professionalisation

What do festival organisers actually need to know today, and where are the gaps in how they learn it?

2029

Horizon 2040
Scenarios

What will photography festivals look like in 2040, and how can the sector prepare for what is coming?

2031

Green Festivals

How can festivals reduce their environmental impact without compromising their cultural ambition?

2033

Festival Mortality Rates

Why do photography festivals close, and what can surviving ones learn from it?

2028

Models of 
Sustainable Growth

How do festivals grow stronger economically without losing their identity or overextending their resources?

2030

Institutions and 
Public Funding

Which public policies genuinely support festivals, and what needs to change in how institutions engage with the sector?

2032

Community, 
Communication
and Audiences

How do festivals build lasting relationships with their audiences rather than just attracting visitors to a single edition?

IPFA publishes all research openly and for free. If your festival wants to contribute to the next study, get in touch.

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