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Camilla Di Bella Vecchi

Italy

Biography

Camilla Di Bella Vecchi was born in Ravenna in 1997 and lives and works in Bologna. She approached imagery at an early age, developing a spontaneous interest in photography as a tool for sensitive observation and attentive listening to the inner world. Over time, this language became a privileged means through which to give form to emotions, states of mind, and personal visions, moving beyond a purely technical or documentary dimension.

Her artistic education took shape through the study of illustration and visual communication, paths that helped consolidate her visual imagination and a particular sensitivity to composition, light, and detail. These elements naturally converge in her photographic practice, strengthening its coherence and expressive depth.

Since 2015, she has been developing Yanarienn, a personal project that began as a visual diary and has gradually evolved into an ongoing investigation of identity, intimacy, and the relationship between body, symbol, and memory. Her images avoid direct representation of the face, favoring fragments, gestures, and silent presences that inhabit a suspended space between introspection and reality. Dialogue with art history emerges as a natural reference, not as explicit quotation, but as a visual and cultural echo that permeates her language.

Camilla Di Bella Vecchi was born in Ravenna in 1997 and lives and works in Bologna. She approached imagery at an early age, developing a spontaneous interest in photography as a tool for sensitive observation and attentive listening to the inner world. Over time, this language became a privileged means through which to give form to emotions, states of mind, and personal visions, moving beyond a purely technical or documentary dimension. Her artistic education took shape through the study of illustration and visual communication, paths that helped consolidate her visual imagination and a particular sensitivity to composition, light, and detail. These elements naturally converge in her photographic practice, strengthening its coherence and expressive depth. Since 2015, she has been developing Yanarienn, a personal project that began as a visual diary and has gradually evolved into an ongoing investigation of identity, intimacy, and the relationship between body, symbol, and memory. Her images avoid direct representation of the face, favoring fragments, gestures, and silent presences that inhabit a suspended space between introspection and reality. Dialogue with art history emerges as a natural reference, not as explicit quotation, but as a visual and cultural echo that permeates her language.

Project

“The Truth” by Camilla Di Bella Vecchi is a personal photographic series by the emerging Italian artist where she explores identity, self-perception and emotional realism through self-portraiture and evocative imagery. Working primarily from Bologna, Italy, Di Bella Vecchi uses her own body, gestures and hands as recurring visual motifs to articulate subtle inner states, emotional vulnerability and the process of meeting oneself where one truly is.

The series aligns with her broader practice of painterly, introspective portraits that foreground feeling, presence and personal inquiry. The work engages viewers in a quiet dialogue about the nature of authenticity, self-reflection and the ways in which photographic image-making can reveal what is most intimate and alive within an individual’s inner landscape, rather than merely what is visible on the surface.

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Festivals Collaborations

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