Mauricio Mejia Muñoz
Colombia
Biography
Mauricio Mejía Muñoz is a Colombian documentary photographer and audiovisual filmmaker. His career has developed across community cinema, photography, cultural communication, and the management of artistic and social projects. He has worked on processes of visual documentation, audiovisual training, and narrative creation for community organisations, alternative media, artists, and environmental conservation projects. He is the founder and director of cultural and photographic initiatives aimed at strengthening collective memory and the circulation of territorial narratives. His work has been especially linked to Putumayo and the Coffee Region.
Project
The River Is Not What It Used to Be is an ongoing documentary photography project that explores the complex relationship between human beings and the rivers that have historically accompanied the construction of our communities. Through images made in different territories of Colombia, the project observes how rivers have been sources of life, food, transport, memory, and encounter, but also sites of pollution, exploitation, and irreversible transformation. The series proposes a visual reflection on the traces we leave in these ecosystems and on the consequences of an increasingly distant relationship with water. Mining, waste discharges, deforestation, urban expansion, and extractive activities have profoundly altered the natural balance of many rivers, changing not only their landscapes, but also the ways of life of the communities that depend on them. More than an environmental record, the project seeks to build a visual memory of the transformation of bodies of water and to open up questions about our collective responsibility for their conservation.
Statement
I believe in photography as a way of listening to the world. My practice emerges from patient observation, from encounters with people, and from the recognition of territories as living spaces of memory, resistance, and transformation. My work seeks to approach stories with respect and sensitivity, exploring the relationship between human beings and their environment. I understand the image as a bridge between diverse realities and as a tool to make visible what often remains outside everyday perception.














