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Armando Tinnirello

Italy

Biography

Armando Tinnirello was born in 1950 in Lentini (Syracuse), Italy, and lives and works in Milan. He studied at the Italian State Institute of Art in Catania, obtaining a Diploma of Master of Art in 1969 and, in 1973, a Diploma in Applied Art, specialising in painting, photography and serigraphy.
In 1983, he moved to the United States, where he lived and worked in Sarasota, Florida and in 1986, he created the environmental sculpture Wall Fragment – Remains (cement, plaster, acrylic paint and neon light) on commission in Siesta Key, Sarasota; the work is now held in a private collection. He returned to Italy in 1990, settling in Milan, where he continues his artistic practice.
In 1995, he performed in the video Soft Driller by Miltos Manetas, photographed by Armin Linke, and in 1998 he participated as a performer in Abstract (from) Mirrorsites ’98, also by Miltos Manetas, at Galleria Le Case d’Arte in Milan, again documented by Armin Linke.
He expresses his artistic research through both painting and photography. In painting, he draws inspiration from the philosophy of Heraclitus and the myth of primordial fire. In photography, he is inspired by nature, the myth of metamorphosis and the shamanic quest, creating images that often take the form of symbolic tribal masks.

Project

“Shaman Series” by Armando Tinnirello is a longstanding conceptual photography project in which the Italian artist draws on shamanic symbolism, mythic metamorphosis and the visual language of ritual masks to explore humanity’s relationship with nature, spirit and inner transformation. In the series, forests and wild places act as evocative backdrops for portraits of enigmatic figures wearing tribal-inspired masks, suggesting a world beyond the everyday where the unseen forces of nature, ancestral energy and imagination intersect. The masks are not tied to a specific time or place but function as metaphors for spiritual presence and identity, inviting viewers to reflect on our place within the cosmos and the tension between humanity’s exploitation of nature and our deeper connection to it. Tinnirello’s imagery references the mythic and symbolic power of shamanic tradition, positioning each portrait as a threshold between the material world and other realms of experience.

Festivals Collaborations

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