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Isaac Ulam

Spain

Biography

Isaac Ulam (Spain, 1978) is a multidisciplinary filmmaker and visual artist whose work blends cinematic language, photography and constructed realities. His debut feature film Bronko was nominated for an Academy Award for Best International Feature, received ten Goya Award nominations and won nine international awards for Best Film. His visual universe —raw, absurd, beautiful and unsettling— has been featured in The New York Times and has drawn the attention of institutions and platforms such as MoMA, the Whitney Museum, Hauser & Wirth, Saatchi Gallery, and international contemporary art magazines.

Working across photography, film, performance, painting and experimental image-making, Ulam expands creation into a space of absolute freedom. His practice unifies diverse artistic forms into a single personal language —an identity forged through abandonment, recovery, love, chaos, beauty, and a life devoted to creation. His lived experience does not accompany the work: it becomes the work.

Isaac Ulam (Spain, 1978) is a multidisciplinary filmmaker and visual artist whose work blends cinematic language, photography and constructed realities. His debut feature film Bronko was nominated for an Academy Award for Best International Feature, received ten Goya Award nominations and won nine international awards for Best Film. His visual universe —raw, absurd, beautiful and unsettling— has been featured in The New York Times and has drawn the attention of institutions and platforms such as MoMA, the Whitney Museum, Hauser & Wirth, Saatchi Gallery, and international contemporary art magazines.

Working across photography, film, performance, painting and experimental image-making, Ulam expands creation into a space of absolute freedom. His practice unifies diverse artistic forms into a single personal language —an identity forged through abandonment, recovery, love, chaos, beauty, and a life devoted to creation. His lived experience does not accompany the work: it becomes the work.

Project

“Don’t Stand-Up, I Know the Way Out” by Isaac Ulam is a contemporary photography series that blends conceptual narrative with visual introspection, reflecting the artist’s engagement with personal and emotional landscapes through staged, cinematic imagery. Ulam’s work often oscillates between documentary sensibilities and constructed visual metaphors, and this series suggests a tension between movement and stillness, presence and escape that resonates with themes of introspection and emotional navigation.

Through evocative compositions that draw the viewer into moments suspended between action and contemplation, the project encourages reflection on the complex interplay between self-direction, perception and the pathways we imagine out of uncertainty.

Festivals Collaborations

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