Visual artist whose photographic practice emerges from multidisciplinary training and a constant curiosity for learning, experimentation, and discovery. He began his relationship with analog photography in the 1980s and, after a long period of personal exploration, started developing exhibition projects linked to abandoned spaces, ruins, and architectures in transformation. His trajectory was consolidated through specialized training in authorial photography and participation in workshops and collaborative projects within educational and artistic contexts. With a background in physics, his approach to the image incorporates an analytical gaze that engages experimental and material processes. He currently works exclusively with analog photography, using manipulated film and unconventional processes, exploring the physical limits of the image and moving away from traditional models of representation.