Natheim
Argentina
Biography
Natheim (1982, Argentina) is a Social Communicator, Photographer and Cultural Manager. She is the founder of FotoCreativaBA and coordinator of FotoComBA - International Expanded Photography Programme. She works as a curator in Canada and Argentina and provides curatorial mentoring to visual artists globally. She has taken part in workshops with leading photographers and was a finalist at FELIFA 2021. Her book Lurraldeak [Territories] was exhibited at FIEBRE Photobook Fest (2020-2022). She has exhibited in Argentina, Uruguay, Ecuador, Spain, Italy, France and China, notably at the Museum of Contemporary Art of Rome and Casa América in Madrid. She has been selected for various international artist residencies, and her artistic practice focuses on expanded photography as a language, exploring the unsaid, symbolic territory and sensitive memory.
![Natheim (1982, Argentina) is a Social Communicator, Photographer and Cultural Manager. She is the founder of FotoCreativaBA and coordinator of FotoComBA - International Expanded Photography Programme. She works as a curator in Canada and Argentina and provides curatorial mentoring to visual artists globally. She has taken part in workshops with leading photographers and was a finalist at FELIFA 2021. Her book Lurraldeak [Territories] was exhibited at FIEBRE Photobook Fest (2020-2022). She has exhibited in Argentina, Uruguay, Ecuador, Spain, Italy, France and China, notably at the Museum of Contemporary Art of Rome and Casa América in Madrid. She has been selected for various international artist residencies, and her artistic practice focuses on expanded photography as a language, exploring the unsaid, symbolic territory and sensitive memory.](https://static.wixstatic.com/media/c9955a_56182d69c70c4b508cdf3700b8e18c2c~mv2.jpg/v1/fill/w_321,h_447,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/Image-empty-state.jpg)
Statement
I am interested in the various ways of expressing oneself: the body, the spoken word, pauses, silences. What is said and what is left unsaid. I work primarily on what is denied, ignored or evaded in what is immediate and close at hand. I weave together narratives that lead me to perceive a sensory memory. I see the question itself as a political stance.
I develop my artistic practice through the language of photography. Unrestricted by the formal constraints of its two-dimensional nature, I seek to remain attentive to the uniqueness of each project and to engage with other modes of production in the process of constructing meaning.
