Rozafa Shpuza is a poet and photographer, a peculiarity that creates a connection between the two arts. She writes poetry, but is also productive in the field of photography, mainly in the genre of urban and street photography. Her photos are mainly shot on the streets of her hometown, Shkodra. The subjects of her photography are urban moments of city scenes, captured in an abstract, often surreal, humorous and well-composed way. The second gallery of photos, perhaps the most important, are portraits of city residents, shot spontaneously in public spaces, while performing activities or meditating in their tranquility, captured unconsciously, creating a special emotional state. What do the characters of the city think, silent passers-by, photographed in isolation, in the middle of urban chaos? It seems as if each of them is closed in their own inner world, immersed in their own personal thoughts and concerns. In an individualistic society, where everyone thinks about themselves, Rozafa naturally seeks to penetrate the individual and their psychology. A third gallery of photographs, which I really like, is the series of self-portraits on city streets, shot on sidewalks, shop windows or cafes, captured in overlapping different planes, alluding to a complex and confusing world in which the artist and the individual live in the modern city. Rozafa’s photographs, although unique in the Albanian photographic scene, are nourished by a rich international tradition of street photograph