Visual artist whose practice stands at the intersection of photography, image theory, and conceptual research. With a background in fundamental physics and aeronautical engineering, he develops a critical approach that examines the conditions of existence of the photographic medium in the digital age, paying special attention to the tensions and continuities between analog and digital regimes. This transition is not posed as a rupture, but as a space of friction, reactivation, and historicization of the image. Through strategies such as sensor disturbance, algorithmic détourning, and the reinterpretation of foundational icons, his work questions the technical and conceptual limits of photography. His practice proposes a rereading of the medium in which the image is not exhausted by the device, but is critically activated through it.